Tennessee Music Blog by Candace Corrigan

29
Jul

Silk Mill Worker

Click to listen to this week’s song, Silk Mill Worker.

There is a restaurant in the town where I live where musicians gather every Saturday morning. It is billed as an old country/bluegrass pick and sing, but the truth is they tolerate just about anybody. Somebody might sing cowboy songs, some favor The Carter Family.

I have heard some ancient Appalachian murder ballads, unique, as well as familiar, gospel songs, coal mining songs, original spanish-sounding guitar numbers, straight ahead old country and yes, bluegrass… even a bit of old style jazz standards, if there are not too many “out of town chords”. Mandolins, guitars, fiddles, upright bass, banjos, and even autoharps abound. My friend who plays mandolin and guitar called me and told me about it, and I try to attend when I can.

The thing that impresses you as you walk in the door and up the stairs is how friendly and welcoming everyone is. Some of the regulars there are talented. I wouldn’t be surprised to hear that some of the young people make a name for themselves somewhere down the line.


These young people are beautiful, bright, talented, smart, motivated, all things that help in the music business world. Probably the most important asset in the music world would be someone you know, preferably a close family member, with access to a very large bank account, but that is not the story here. Here, if you come in toting an instrument, and you are willing to play it, you are welcome.

One of the regulars is a lawyer, who is a good guitar player and a great singer. I don’t remember how it came up , but I mentioned to him that I once lived in Macon County. He said, “Ah yes, Macon County. I have a client up there who owns an underwear factory.”

“A silk mill?”, I said.

“Yeah , that’s right, that’s what he called it.”

Years ago I interviewed women who worked in a local silk mill. I wasn’t sure what I was going to write when I started talking to them. Sometimes, the song seems to know where it is going to go, more than the writer. But I loved listening to the cadence of their talk. And what they had to talk about. Things they were concerned about. Their men. Their children. Their jobs.

I work in a silk mill, out on the edge of town
Cause if you’re going to work around here, it’s the only job around.

I have worked in factories. There were times when I was glad to have a job, but I will have to say, personally, I always hated it. It was usually hot, noisy, and sometimes downright dangerous. Getting paid by the piece, so you worked as fast as you possibly could. Tennessee is a right to work state, so, of course, no unions.

You know they only hire women down there,
’cause they can’t afford a man.
They claim “women are good workers.
they never swear or cheat or rob.”
Truth is that women don’t kick on wages,
They just glad they got a job.

These days many of the appalachian silk mills have moved to other countries. And right now, as I write this, the factories that haven’t moved south of the border are starting the second shift.

The song is written from what women said. It is just some honest thoughts in the form of a song.

In the meantime, on Saturday morning, bring your instrument on over and join the neighbors for a little music. You’d be welcome, and we’ll look forward to it.

21
Jul

Beloved Bell’s Bend

Click to listen to this week’s song, Beloved Bell’s Bend.

I write songs. That is something I have always done. My mother is a songwriter, and in my earliest years I held the strange belief that everybody wrote songs, or at very least played the guitar, or the piano, or maybe the mandolin. Sometimes I write songs for other people. My friends were aware of that when they asked if I could take a look at a song that a neighbor had written, and see what I could do with it.

That is how I met George West. George West lives down the road from a close friend of mine who has been embroiled in a fight to save their part of the world from urban sprawl. I had lived out that way for awhile, and was amazed at how close it was to downtown Nashville, and yet remained so refreshingly rural.

It is only a fifteen minute drive, which is great, and also a problem. It is in Davidson County, and has been tempting developers for years. This latest fight to “Keep it Country” has turned into a battle, with 92 % of the locals against elaborate plans to build a new city center in a bend of the Cumberland river known as Bell’s Bend. The plan calls for a new bridge and highway to the area, to the tune of at least 100 million dollars, but the developers are determined to have the new town center, dubbed “May Town”, whooping cranes and bald eagle estuary be damned.

George West is a farmer who owns land in Bell’s Bend. When I talked to him on the phone, he told me he was out on the tractor when this song came to him. So I went out to his house to meet him about a month ago. It was a lovely summer afternoon when I pulled into his driveway, past the ripening wheat, and drove over the creek to his house. He was playing the fiddle when I knocked on the door, always a good sign. He offered me a cold drink as we sat at his kitchen table and talked about songwriting, country life, and farming.


Bell’s Bend and Nashville


Bell’s Bend


The West House in Bell’s Bend

“Well, you know, the Metro Planning Commission tells you you have two minutes to stand up there and say what you feel about the land you grew up on and have farmed all your life. Two minutes is not enough time to talk about the many nights you drove tractor by moonlight, in order to get the hay in before it rains. Two minutes can’t talk about the memories that you cherish. Maybe that’s why this song came to me.”

Then he sang his song into my little recording gadget that I hook up to my iPod, and he gave me a copy of the lyric.

I remember the river, the hills and the trees.
I remember the hollyhocks, the buzz of the bees.
We slept on the front porch in a warm summer breeze.
I remember the screen door, full of cottonwood seeds.

I took out my guitar and sang for him, and I guess he liked it, and we agreed that I would work on the song. I told him I wanted my friend Janne Henshaw to look at it as well, We shook hands, and I took the back roads to my next destination, loving the afternoon that brought me to George’s house.

Janne and I did work on the song, leaving most of the lyric intact.

I remember the smell of the soil as it turned.
I could feel God’s hands, touching the earth.
The smell of the hay as it cured in the sun.
I remember the pleasure when the day’s work was done.

After another day of driving out to see George and many conversations with Janne, I called some of my good friends and arranged a session at MTSU in Murfreesboro. Bill Crabtree, a professor from the music recording division studios and a fine engineer, gave us his Saturday. I went out and picked up George. Janne met us at my house, Al Goll came from Nashville, Rick Diamond drove up from Maury County, and we recorded the song Beloved Bell’s Bend.

On Thursday, July 24, we are going to sing an abbreviated version of the song before the Metro planning Commission meeting, because, of course, we only get two minutes.

Green fields of fescue wave in the wind
This wild natural beauty could come to end
Rich fields and valleys may soon disappear
If they bury this land beneath concrete and steel.

We’ve gathered her bounty for centuries on end.
Her wildlife runs free in the fields that we tend.
Losing this land is like losing a friend.
This is our home, beloved Bell’s Bend.

It’s a lovely song. I hope you like it.

Candace Corrigan, guitar, vocals, Janne Henshaw, guitar and vocals, Al Goll, Weissenborn (guitar), Rick Diamond, upright bass. Engineered by Bill Crabtree at Middle Tennessee State University, assistant engineer, Rob Luckey.

For more information on Bell’s Bend see…

www.bellsbend.org
www.tennessee.sierraclub.org

15
Jul

Je t’aime Beaucoup

Dear Reader: Because of family concerns, I have been out of town, and unable to blog for the last couple of weeks. I will write about those experiences in the upcoming weeks.

Click to listen to this week’s song, Je t’aime Beaucoup.

Our house, built in 1910, faces east. As the sun comes up, it fills up the house with golden light, refracting through the transoms and windows. The rain that we have been fortunate enough to get these last few days has passed, and taken with it the 90 percent humidity. The result this morning was so delicious to wake up to. Drinking coffee on the front porch, watching the light filter through the plants, my thoughts turned to Bastille Day.

As far as I know, I am not French. But some of my best friends are. One of them holds a party every year for “the fourteens of Julys”, as she says. This year, like other years, she asks me, (or I offer), to come over with my sewing machine to recover cushions, make new pillows, and freshen the house. Although we talk about it for weeks or even months ahead, we never seem to get to it, until the last minute. So… yesterday was that last minute.

She has a very eclectic style, to say the least. But there is a kind of wisdom in that. By being open to all kinds of things that might fly in her door, she has collected paintings from Africa, furniture carved in her native Normandy, German china, French chandeliers, Victorian vases, Persian rugs and a rather motley collection of well used but originally well made sofas. Every nook has the possibility of conversation. And most have some place to sit down that I have helped her to fix or paint, but mostly to recover. She once said that I have taken care of the places where her guests “put their behinds”.


Armed with fabric, remnants and plenty of thread, we commenced yesterday to give the couches a new life. Velveteen and white cotton coverlets were pressed into service, set off by the red silk accent pillows. Blue outdoor fabric, that rich dark royal color was for the side porch, where “everything must be blue and white, Montreal colors.” And my old sewing machine that has made couch covers, table clothes, draperies, sheets, flags, wedding dresses, and one year the most inventive cape I have ever seen that she took to Carnival in Venice…yes, that Carnival… that old machine just chugged along, happy to oblige us in our creative pursuits.

And we talk and we laugh, and she runs and gets me cold fruit juice, or bread with goat cheese. Friends stop by, who are talking on cell phones to loved ones in France, and who hold up the phone to let us listen to the fireworks going off in Paris. In France, Bastille Day is called FĂȘte Nationale or National Celebration. The day they stormed the jails. The day of liberation. For me, it is the holiday after our time together, brightening up those places where the guests can put their behinds.

The song this week is one I wrote entitled Je t’aime Beaucoup, recorded with the fabulous Western Jazz quartet and arranged by the terrific Tom Knific. I have always loved the saxophone solo in this by Trent Kynaston. I hope that you do too.

24
Jun

Memories of Full Summer

Click to listen to this week’s song, Jimmy as a Boy.

Driving home from Franklin today, big white clouds in a 6 o clock sky, rain clouds to the north, I watched a farmer’s truck pulling a trailer, working with his tractor and hay fork on a side road. He was loading big beautiful round bales of hay. Looks like they will get it in before the rain, if the rain makes it here. Last year’s hay looked fairly pitiful as I recall. Farmers were even baling corn stalks. It looked like “hard times are here again.” This year’s looks like a bumper crop, but then, these days I only see it from the road.

Years ago, when I was a young woman living at Spring Hollow Farm, down the Galen road, one of our neighbors, needed some help getting in his hay. We had just bought the old Jesse Ragland farm that Winter, and we let it be known that some of us would come and help. Seems like about ten of us went over in jeans and long sleeved shirts that sunny late June afternoon, and began to pile out of a couple of trucks, ready for work. I think our neighbor was a bit surprised. There were a few of us young women in the bunch, but we all got right to it, following behind the truck and bucking the bales onto the flatbed just like the men.


To me, it was something of a lark, laughing with my friends, out in the sun, the smell of the newly mown and baled hay all around. No doubt about it, it was work… picking up bales of hay is work, no matter how much fun you’re having. The memory of aching muscles is still there… that good kind of ache, when you’re young and strong and invincible, and you’ve just put in your share of an honest day’s work.

I think the genius of the day was…we happily did it for free. No charge… heard you needed some help. And after the day’s work was done, with the hay in the barn, the good farmer’s wife had supper waiting. White table cloth on a great big dining room table. Somehow she had heard that we were vegetarians, and there was the most amazing spread of baked beans made with sorghum, cornbread, biscuits, homemade jam, squash, potatoes, green beans, pickled beets and I think something like blackberry cobbler.

I was somewhat shocked at her feeding this ravenous crowd, some of them barely out of their teenage years, some not even. But then, it was just what country people did and still do. I can see myself, looking around the room at those sunburned faces, talking, laughing, happy, as the night fell, and we went home.

A memory to be cherished in this part of my life.

The song this week is called Jimmy As a Boy.

I often call this my first good song. I hope you like it.

16
Jun

Listening to Dame Evelyn Glennie

Click to listen to this week’s song, If You Can Hear My Song.

This week, a friend of mine needed some help with some closed captioning for a video project, something I have had to learn how to do. It is painstaking, exacting, slow work, so when you say that you will do an hour long show, you had better like that show. This show is a simple video of a lecture, but the lecturer was anything but simple.

The lecturer is a grammy award winning percussionist, Dame Evelyn Glennie. She was in town to perform with the Nashville Symphony a few months back. She is lively on camera, a very positive person, and she is profoundly deaf.


Rick Diamond, Candace, Carol Levack, Al Goll, & Janne Henshaw

“Here you have a musician, a deaf person…how does all this work?”, she asks. She started losing her hearing when she was 8 years old, and was diagnosed as deaf by the time she was 12. At that time, she was told that she should enroll in a school for the deaf and give up any idea of being a musician. But she had already decided she was going to be a musician. So she stayed in her school and eventually went to the Royal Academy in London. Now she travels the world, performing as a solo percussionist with symphonies.

I have been working on this late into the nights of this week, and I have been intrigued by many of the thing she talks about. “When we look into the Italian language, we find that the word “sentire” means both to hear and to feel”, she says. She talks about opening her body up to become a resonating chamber, to feel the music, about learning to breathe the music that you are working on, the same way that the orchestras must learn to breathe with her when she is performing with them.

Throughout she encourages the audience to “put yourself out of your comfort zone.” Go out and experience the world. Feel the grass beneath your feet. Do something every week that you have never done before. And drop the phrase “I can’t”, from your vocabulary.

This week’s song was a personal demo. Years ago, I was getting ready to record a CD, and a friend of mine, Walter Rabideau, recorded a bunch of my songs, just me and the guitar, to help me make choices for the CD. Though we didn’t end up using this song on the CD, I thought it fit my thoughts this week.

The picture is from the most recent jam at my house.
Y’all ought to come over some night when we are rockin’ the house.

09
Jun

Summer Music

Click here to listen to this week’s music played on the Cherokee cane flute.

I have my own definition of the beginning of summer. Some of the elements of my definition of summer are subtle… the spring wildflowers give way to the summer wildflowers, the sun rises over the church across the street well before 6:00 am, filling our living room with a golden light, and the moist heat returns from wherever it has been hiding, putting my world in a slowed down state as all creation rushes toward the zenith of solstice.

The real day that summer begins for me, is the first day we swim in the river. And that day was today.

I love to swim, and go regularly to a pool throughout the fall, winter and spring. But to swim in a moving body of water, with swallows flying over head, dragon flies flitting here and there, white billowy clouds above as you float on your back. It’s not swimming to improve your stroke, to flatten some area of a body at this age that doesn’t seem to want to be flat, or to write down a distance in an exercise log.

Of course it is a welcome relief from the heat. But swimming in the river is more of a religious experience for me. It’s swimming to wake you to the glories of the moment, and simultaneously every other glorious swimming moment.

I couldn’t swim in the river this afternoon without remembering our swimming hole at Spring Hollow Farm in Macon County. One late spring day, Anthony would use the backhoe to dig a swimming hole, last year’s usually having been washed out during the winter. It was a place after a hot day of canning tomatoes, or pickles, or picking sweet corn that called your name. And if you were picking okra… you probably ran there.

Where we swim now was once Cherokee country. And rivers were sacred to the Cherokee. When you were sick, you went to the river, to bathe in its cool waters. When you were in need of solace you went to the river, to soothe and honor your melancholy. Your town was on the river. The river gave you life.

The song this week is from a Cherokee Cane flute, made from the river cane that grows in brakes along the Tennessee rivers. It was traditionally played by a man, usually as a courting instrument, a love song for an intended sweetheart.

I got this flute at the Sequoyah Museum, Vonore, Tennessee, not far from where we were married, at Chota.

This is a song played by my husband. He is not Cherokee in the least, but he plays this flute like it was made for him.

May all of you who swim outside this week be blessed. Even if it is in a cement pond.


Long Fork Creek at Spring Hollow


the path to Stones River


Stones River

Photos by John Seward

02
Jun

A Love That Never Dies

Click here to listen to this week’s song, Sean MacDonald.

When I first came to Nashville years ago, my friends took me to Radnor Lake, a state park that is located in the south of the city. It reminded me very much of living in the country in Macon County, but with maintained trails that ring a natural lake.

Radnor Lake soon became a beloved place in all the world to me. Some years I walked every morning, watching the every day change, delighting in my favorite woodpeckers or owls, a new born fawn, a yearling just beginning his rack, turtles on the path, or a rare glimpse of an otter. I also loved the sight in the spring, the new wildflowers covering hillsides, the intense leaves, first young green, then mature, then red and yellow, and then brown, and some years quite covered in snow.

Some of my favorite walks were with friends. Some by myself. At one point a musician friend who was living in Scotland came through, stayed at my house, and we took to the trails one morning. “Ah, it is as lovely as any Loch. And so peaceful. I think if you walked this everyday, you might never grow old.”, she said.

I was amazed in those early years as I approached a certain bench. It always had fresh flowers on it. They were laid next to a plaque on the bench that said:

In memory of
Shawn Adam MacDonald
1970-1986

I wondered who might have left these flowers.

Is it mother or a father
      leaves these flowers here
Or sister brother or a sweetheart
      every day for all these years.
In honor of a memory
      of true devotion lies
In the beauty of this wooded place
      for a love that never dies.

I did ask a park ranger at one point, but he told me the policy had changed and the flowers were no longer being left by family members. Curiously, there were flowers on the bench this afternoon.

As we walked the lake trail, the air felt saturated, the thunder warning us that a shower was coming. Still, we stopped often to take pictures, and spoke about the endurance of nature, the ever present constancy, timelessness, and recurring patterns of the woods.

How wise of the government and the Friends of Radnor Lake to preserve such a place. It is one of the gems of middle Tennessee.

I wrote this week’s song and recorded it with the help of my friends. My gift to you on this June first night. All of the pictures can be saved as Desktop backgrounds, if you click on them to get the large version, and then right-click to download. Please, be our guest.


Radnor Lake

Photos by John Seward

26
May

Wandering Indiana

Click here to listen to this week’s song.

One of my friends is a songwriter named Daniel Market. He is a devoted songwriter, very interested in the craft of writing. He is passionate about music, and he is also known for cracking himself up when he writes a funny song. We don’t always agree about songwriting, or recording, or what is the best thing to do in a kitchen remodel… in other words we talk to each other frequently, listen to each other’s songs, disagree and even argue often, much like a brother and sister.

I hadn’t heard from him for a couple of weeks, so I got in touch with him, and he sent me a note saying that his 84 year old mother had contracted a flu, which developed rapidly into pneumonia, and she had passed away. After the funeral, he came down from Indiana on his motorcycle for a visit. After some discussion, he said he had some furniture there that he thought we might like to have. We need more stuff around here like we need a hole in the head, but I said I would drive, he parked his BMW at a friend’s, and I secretly welcomed the time that we would spend together.

So we left early in the morning, early in the week. On the other side of Nashville, heading north, I pulled over and asked him to drive. I hadn’t realized how exhausted I was. I slept soundly as he drove. When I woke up we were traveling along the Kentucky Tennessee border, and on a whim, we turned off the highway to take some back roads to Evansville. As we drove through the wooded lanes, past the ponds, past the fields, through some very small towns, we talked a bit about the funeral, but mostly we talked about his mother, how he used to joke with her, what her opinion was about this or that.

“The worst thing is not being able to call her”, Daniel said.

This is a comment I have often heard my friends say after they have lost their mother.


Daniel Market


Indiana


Daniel’s Father and Mother

As we crossed the bridge into Indiana, I was struck by how I could feel my own stress leaving, projects and deadlines suspended in this quiet afternoon, traveling with my friend. On the way home, I found myself singing this song I wrote years ago.

Sitting at work, work is going slow
I just can’t stop thinking of you.
I’ve got this idea, one you don’t know about.
Something I’ve been wanting to do.
It would do us some good, if we both got away.
Forget about work.
Take a few days
And go wandering Indiana.
Something I’d like to do
To go wandering Indiana with you.

My friends and I recorded this song yesterday.

Todd Lombardo played guitar, Rick Diamond on upright bass, Al Goll joined us on Dobro, Carol Levack and Janne Henshaw sang back up vocals.

I am also including a link to an earlier Nashville Nobody Knows podcast that I did on Daniel Market awhile back. Listen to it here.

Happy Memorial Day to you all.

19
May

Echoes of the Civil War

Click here to listen to this week’s song.

Years ago, when I first came to Macon County, my friends and I decided to clean up an old graveyard that was down by the creek on our farm. The graveyard was completely overgrown with brush and weeds. The idea was that there were probably some people who were kin in these parts that would like it to be restored enough to be able to visit their relatives’ graves. So on a bright spring morning we set out, assembled, and starting pulling brush. I remember being astounded to see that some of the graves were Civil War soldiers. In fact, there were Civil War soldiers from both sides, an unusual sight in this remote, far from town, holler. In what seemed like only a few days after we cleaned up the cemetery, bright blue flowers bloomed on the myrtle that covered the ground, and the young leaves on the tall remaining trees provided cool shade. The transformation was magical.

And neighbors did come down to visit the graves of relatives. Neighbors who by all rights might not have been too sure about these young people who had bought the old Raglan farm. And yet they seemed not to judge us for our strange clothes or long hair or Yankee accents. They looked us in the eye, gave us a good handshake, and recognized that though we might not yet know much about farming, we were fixing to try to learn. People who have known hard work can appreciate someone who is not afraid of it.

A few weeks ago we were up in Macon County with a friend and his daughter, and we wandered around the back roads and found our way back down to the holler and the graveyard. This time of year a lovely wood poppy was in bloom. My friend, who in his early days played college basketball and football, a man I always thought of as strong and fearless, admitted that, back when we lived there, if he was alone at night after crossing the creek on the swinging bridge, and turned that corner next to that graveyard, he would take off running for home. “I couldn’t explain it. I didn’t ever tell anybody about it, but there was something about that graveyard.”


H. E. HOWE
CO. 1
9TH KY. INF.


L. Virginia French

I listened intently. Interesting, I thought. I used to do the same thing. But when I would start to run, it was as if I could feel the Civil War. Here in this part of the country, one doesn’t have to look far to be reminded about the Civil War. Houses frequently go on the market that were headquarters for this or that general. I have slept in guest bedrooms that were once a makeshift operating room for one side or the other, and the wooden floors had sustained so much blood that they were permanently stained red in places. I have walked where soldiers slept, where local girls danced with Yankee soldiers, where any afternoon somebody with a metal detector can pull rifle balls and belt buckles out of the yard, that have been there for at least 144 years.

My song this week is taken from the diary of a woman who lived not far from here, in McMinnville, Tennessee. As the War begins, she is a staunch Confederate, calling for her neighbors and family to “show the Yankees Southern powder and steel.” She laments the difficult years when the Northern troops occupied Tennessee.

    The Yankee invaders are worse than the plague
    Eating all that’s in sight till it’s gone
    All we have left to live on is rumors and fear
    And the difficult times to go on

By the end of the War, after all the loss of life and property and hardship that was all around her, she wonders how she could have made such “a foolish mistake”. Her name was L. Virginia French. Every word in the song comes from her cinematic diary.

Click here to go to the Virginia French page, where you can read about her and read the complete lyrics to her song.

13
May

Listening to Spring

Click here to listen to this week’s song.

There are years in Tennessee when spring is a brief transition between coolish and downright hot, punctuated with a series of brief cold spells that my neighbors in Macon County used to call redbud winter, dogwood winter, and blackberry winter. It took me some time to realize that each of the winter titles refers to blossom times. Luckily, this year is not one of those years. Yes, we have had all these “winters,” and in fact we may still be in blackberry winter this morning

But this year, the spring has brought much needed rain and returning refreshing weather, without the sudden heat, keeping beginning gardeners like myself just about jubilant.

      It must be spring.
      The dying winter melts away.
      The dawn looks forward to each day,
      And I am caught up in its sway and in its swing.

Years ago, I wrote a song called It Must Be Spring. At the time, the very talented Tom Knific of the Western Jazz Quartet helped me with the arrangement, but I had never recorded the tune, and it was somewhat forgotten. I mentioned to my songwriting partner Janne Henshaw, that I would like to put an old fashioned verse, or intro on this song. She immediately came up with something, and left it as a singing message on my phone, something we often do when we are working on a song :

      Why do my senses tingle when I greet the dawn,
      Why does my little heart leap at the lark’s sweet song,
      There must be an explanation
      For these sumptuous sensations
      Causing me to smile the whole day long…

I called my friend Cosette Collier at MTSU who said that she might be able get us into the studio, and she and Dale Brown carved out some time one afternoon. I asked Doc West to bring his Django Reinhardt style guitar, and we sat down to find out the way this song was going to go. Recording music for me is always a collaborative effort between musicians, songwriters, and engineers. This time, that was true in an exaggerated way. The thing I love about this rendition is how Doc was listening to me so intently, I was listening to him, the engineers were listening to the both of us.

      It must be spring
      And all the people that I meet
      Seem to be dancing down the street
      To a sultry beat that I begin to sing
      It must be spring.

      Spring might be my favorite time of year.

© 2008 Tennessee Music Blog by Candace Corrigan | Entries (RSS) and Comments (RSS)

Design by Web4 Sudoku - Powered By Wordpress